After Andrew S. Paul was replaced as Artistic Director of Pittsburgh Irish and Classical Theater earlier this year, he was invited by Mark Southers to co-found a new theater company, known as The Phoenix. Andrew Paul talks about the mission of this new company, its first two productions, and how this new company will fit into the Pittsburgh theater scene.
Raised in Squirrel Hill, Daniel Phillips and his brother Todd are the violinists of the Orion String Quartet, quartet-in-residence at Lincoln Center. They return for the Pittsburgh Chamber Music Society to play Schubert's Death and the Maiden quartet, plus works by Haydn and Bartok. Daniel talks about the music, and his musical roots in Pittsburgh.
Artistic Director and conductor Thomas Douglas talks about the opening of the Bach Choir's "MASSive Season," beginning with a "Monster Mass" program that pairs William Byrd's a capella Mass for Four Voices and Anton Bruckner's expansive Mass in E minor with the Carnegie Mellon Wind Ensemble.
PSO Concertmaster Noah Bendix-Balgley talks about the Scottish Fantasy by Max Bruch, his newly-acquired violin that he'll use in the performance, and whether the vacancy created by the impending retirement of NY Philharmonic concertmaster Glenn Dicterow tempts him.
After building his career as a violinist, Nikolaj Znaider returns to Heinz Hall as guest conductor to lead the work he played as soloist there in 2005 -- Bruch's Scottish Fantasy. PSO concertmaster Noah Bendix-Balgley will solo this time, as Znaider conducts a program that includes Mendelssohn's Hebrides Overture and Schumann's Symphony No. 4.
Conductor Maria Sensi Sellner has founded a new company, Resonance Works, that will stage the first Pittsburgh production of Verdi's Macbeth in 27 years. A Western PA native, Ms. Sellner is Interim Director of Choral Studies at CMU, where she will lead the annual Holiday Concert.